(Nerd) Newsday Tuesday

Sleepy Hollow is months away, but showrunners are already teasing fans and showing off new cast members. Check out this video from Matt Barr  answering a fan question that was posted on the show’s instagram.

Word hits that the 6th Resident Evil film is likely to be the last, Jovovich and director hubby Paul Anderson seem resolute about this. But it’s unlikely that the zombie craze will die with it. Tor speculates about possible future resurrections and incarnations for Alice and the Tyrant Virus infected.

Marvel posted a preview of Jean Gray using her new powers in All-New X-Men

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As you can see, I am way behind on comic reviews. This week I’m getting SERIOUS. Promise.

Regardless: I am most pumped about the news that there will be NEW POWERPUFF GIRLS!

AND!!! I just found out about Tim Burton’s 1982 short version of “Hansel and Gretel” it’d be a crime not to share!

 

X-Men #14

Part 2/6 of Bloodline. 

Rachel and Monet are chasing down the shooter that seriously injured two students at the Jean Grey school. Monet shows no mercy after the culprit tries to take out bystanders in a trainstation and then suicide, Monet and Rachel go full force at him with disregard to who is watching. 

Back at the school Storm tries to get answers from her future daughter Kymera while Jubilee does what ever she can to teach her infant son to protect himself. “Come on Shogo, push the beep beep.” And Psylocke locks the school down. “Anyone breaches this school. I’ll hear it in my brains.” 

Storm officially made them a team and chooses that they will take a silent vote for leader, no judgements (half of them can read minds… that’s not really going to work). Suddenly there is an explosion in the east wing. The shooter is escaping (because it was a really bad time for a team meeting) the room is burning and the fire suppression has been disabled. Monet and Rachel decide that they’re going to take the guy apart. He’s about to say “You can’t stop the Future” when Kymera comes out of nowhere with her panther and lays the smack down. But she sees a timer on his head counting down. She retreats, a hawk delivers Shogo to her, she calls for her mom then the man explodes and Kymera is sent tumbling (Shogo pushes the beep-beep). 

Outside: Menacing characters plan to attack them again at dawn.

BromoSuperior

with art by Phil Briones. Hellion and co are stuck in Psylocke’s danger room program. This side story isn’t really grabbing me. But Briones’s version of Psylocke is perfect.

Uncanny X-Men #21

There’s so much that’s immediately good about this issue. Cyclops isn’t in control of his powers and he’s attacking the Jean Grey School, Magik tries to mitigate and turns into a demonfaced monster raiser. Storm keeps collected.

And fans are treated to a full page spread of Storm showcasing her badass powers. Stellar.

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Then Dazzler (not really Dazzler, really Mystique) shows up to collect Cyclops. 

In Madripoor: the Blob fiends for mutant growth hormone (that they are harvesting from the real Dazzler). Magneto finds him and sees what has been done to Dazzler. Magneto almost scalpels the Blobs face off, but he relents, remembering long past events he lets the Blob run off and he tends to Dazzler.

The phony Dazzler is pushing the X-Men to hand over Scott Summers to SHIELD. It’s Maria Hill who tells Beast that he has an hour to straighten out what has gone wrong with Cyclops. The helicarrier is poised to attack as back up… but it suddenly starts firing. Beast takes Cyclops and Magik to his lab in hope to find what is seeking to destroy them. Quentin Quire (who I have some affection for because he reminds me of my gawky and grungy punkrock nerd boy high school friends) grabs Maria Hill by the head and asks her what’s up. 

And at the end of the issue: Beast has found who is behind the attacks, but it isn’t revealed to the reader. The villain is hidden in a spacesuit.

Chris Bachalo’s art is a little weird, there’s 4 inkers which I think adds to the weirdness. Hank McCoy looks more bizarre than usual. The facial expressions are on point, the action scenes are legit: easy to follow but very detailed. Cyclops shut the heck up this issue. That’s weird. The focus was mainly on the action (with one brief emo hiatus to see Emma Frost pensively fretting for Scott Summers).

Predictions for next issue: Who is in the spacesuit?

All-New X-Men #27

Now this one’s interesting. Bendis kill me because #26 was focussed on drama, feelings, the shattered team dynamics. This one? Not so much. Non-stop action and revelations. 

The Charles Xavier from the future Brotherhood? Mystique’s child with Charles Xavier. I still don’t know exactly how that works.. And Raze is his half brother, the child of Mystique and Wolverine. Raze had been parading as his mother long after she had died. Weird. Raze has also shifted into the form of X-23 and infiltrated the New Xavier School. It happens fast, one of the Cuckoos, Mindee, is under future Jean/Xorna’s control. Future Cyclops delays the Brotherhood with a giant laserbeam. 

Kitty, Beast, Angel, Magik, Eva, Iceman and Christopher are all fighting Raze (who’s bringing the mindfuck) while being psychicly tortured by Xorna and CX. Young Jean, Emma Frost and Cyclops are trying to get over to the others without being tracked. 

Young Jean: “We should call for help.”

Emma Frost: “We would but everybody hates us.”

The Future Brotherhood’s heavy hitters infiltrate Young Jean’s psychic shield and Emma knocks her out. Cyclops is not pleased.

In the final panel we see Xavier confronting Young Jean, saying that he knows now that she’s the biggest threat and she’ll be dealt with first.

BotA is STILL wreaking havoc.Bendis is still killing me with his weird acing and cliffhangers. I love it. Stuart Immonen is a great artist. In the past some of the fight scenes have been convoluted, but this issue was amazing. Even with the shapeshifting villain it was easy to keep up with.

Comicbook catch up #3

Featuring: Uncanny X-Men #20, X-Men #13, Harley Quinn #5

Uncanny X-Men #20- Maria Hill is still attempting to interrogate Hijack. Then Maria’s brain gets hijacked. By telepath mutants and present day Cyclops, AKA Scott Summers: face of a group of deviants, devil in disguise, killer of Charles Xavier, egomaniac… etc. Maria Hill has been compromised. Continuity is a major issue. She is “a lesser character” but has been playing important roles in comics I read. As far is this series is concerned, style and dialogue are on point. 

Maria Hill crushes on Cyclops. By the way.

But out of the exchange all that Cyclops learns is that the enemy is using Cerebro to find them. Eva encourages Emma to yank cerebro. And then suddenly Scott jets to talk to “old blue buddy” Beast. Emma is left behind. …polite students pretend not to notice. Outside of the Jean Grey School: Scott is stopped by big leagues Storm, Rachel Grey +Iceman and then attacks AS SHIELD finds what’s happening.

X-Men #13 Vampire Jubes on the cover =so promising… Image

Mann’s art gets front and center instead of being the last 5 pages. Psylocke and Storm have a woman to woman about who is really leading this X-Men team. Psylocke say that Storm should throwDOWN (and I agree.. Rachel is a latecomer in this crew. She’s not the leader.) Water color backgrounds are gorgeous (but there is less care taken when Mann’s art was 5 pages- still it looks AWESOME) Jubes is there while Beast does Shogo’s check up; but he also wants to know more about the side effects of vampirism on Jubilee’s end…  Rachel Grey is bumming. And I don’t blame her, progeny of the Phoenix and whatnot. but her drama vs. Storm’s?! Ororo any day. 

Then one of the kids get hit: Primal. Quentin Quire couldn’t trace it. (and he can’t take that; he’s young no one can tell him he’s wrong) Turns out… this shot was made with surgical precision. Literally. Surgeons had that gunshot was intentionally made not to hit his heart. 

So Shogo tries to be …ummm… claimed by “The Future” Jubes didn’t do vampire stuff…

#THEFUTURE

Harley Quinn #5 THE DOCTOR IS IN

still bored. the art is the same. atmosphere is the same.

All-New X-Men #25

“Monumental 25th issue featuring the greatest artist roster ever assembled.”

At the Jean Grey School we see present day Beast lying awake, riddled with anxiety, his head heavy while he thinks of what a mess he has made bringing back the original X-Men. There’s a man standing over him. He tells Beast that the consequences of his actions are infinite. And through interpretations of different artists we see these possibilities that have been destroyed. The first being Bruce Timm drawing Jean Grey. Jean Grey, who has been heaped with tragedy and catastrophe has recently gotten a bad ass powerset in Guardians of the Galaxy #13, and we see that, but on the next page we have another version of Jean Grey the Jean that this Jean will become, the one in the Brotherhood who bends men to her will. Arthur Adams/Justin Ponsor’s hard a desolate interpretation with crumbling cities and a throne of bent and twisted men directly contrasts with Bruce Timm/Laura Martin’s peppy and fresh bright and uncluttered view of young Jean. While not necessarily my favorite art of the issue the juxtaposition was in my opinion the most well done.  

David Mack’s Cyclops page was also masterful. On this page we see Cyclops displayed like Jesus on the cross (but it’s an X) in front of protesting masses while words describe how he is abandoned and mocked. It’s all water colors and is amazing.

Scottie Young/Jason Keith’s Iceman turns into ice-monsters rampaging out of control. There was a touch of this in BotA where Iceman confronts his future self as a soul less snow monster (who turns out to be future Jean Grey’s puppet) and then as a snow wizard. While the narration says that Iceman will be destroyed from within, this seems to be a fully outside interpretation. Iceman doesn’t seem that perturbed in the series currently.

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It kind of goes on from there showing how monstrous they’re all becoming. That Beast will lose more of his humanity (something about dinosaurs, admittedly, I didn’t get it. I don’t know who was on Kent Williams’s page. The Colossus page was unremarkable). Beast sits up in bed with his head in his hands and pleads to be shown “the good.”  

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JG Jones gives us an image of the whole X-Men line up being treated as celebrities. Beast looks like Ghandi, while light reflects off of them instead of shadows, it’s really unique. The X-Men are photographed by fans with signs that say THANX Everyone is happy and playful. Magneto even looks pleased. 

Ronnie Del Carmen’s image looks like a cross between a vintage Charlie’s Angel’s themed pinup catalogue and a children’s picture book about summer vacation. Which makes sense, since he’s been a storyboard artist on Ratatouille, Wall-E and Up. He draws some X-Ladies having summer fun and beheading monsters on motorcycles. I really don’t get it, but it looks GREAT.

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J Scott Campbell/Nei Ruffino have Psylocke, Storm and Nightcrawler in more modern and conventionally stylized fashion in outer space for exploration.

Maris Wicks gets a few pages to tell a story of an ill timed love story featuring Kitty Pryde and Colossus. Hyper cartoony tale of bad timing. Highlights include KP wearing a shirt that says “I’m not Daredevil” and having Nightcrawler’s baby.Jason Shiga keeps up with the cartoony and tells a tale of Scott + Logan BFFs FORVER! With a senile Cyclops and still aggro Logan eating spaghettios. And the less serious fashion continues in Dan Hipp’s pages where Jean and Logan fight like the old married couple that they are. Jean’s a couch potato who barely looks away from her laptop when he comes in bleeding. The squabble over him forgetting to pick up hot pockets. I didn’t love it, but the “I can still read your mind” jokes were funny. 

There’s more about who will bloom and find purpose and then Beast is confronted with the reality that these roads will never be taken because of his actions. Beast pleads, “Then help me. Help me put it back. Help me.”

“I am the Watcher. I do not act.”

And Beast tries to convince himself that it’s not too ay, and the page ends with him as restless as ever.

It was a really great issue, The tension that Beast is enduring is very intense and conveyed really well, angst is Brian michael Bendis’s main jam. It was really amazing to see where the artists all took their page/s along with the story. Some stood out more, which is debatable. But “Greatest Artist Roster” ever? They’re going to have to arm wrestle Harley Quinn #0 for that one. A great issue… i don’t know if the sidenote was worth it. Don’t hate me. But Scott’s in space, Jean Grey AND X-23 are missing him, the plotlines for KP and friends are all wrapped up and in need of a new adventure. And apparently that adventure will be Beast continuing to find a way to send everyone back again, even though that has turned more X-Men against each other. It doesn’t make sense it just makes angst. But… it was good, too. I’m on the fence.

Nightcrawler #1

I don’t much care about Nightcrawler. Never did. But… Chris Claremont. 

Chris Claremont has written huge X-Men storylines. The source material that inspired both The Wolverine and the upcoming Days of Future Past. He’s a ridiculously big deal in the comic book world. He co-created pretty much all my faves (most of the major players in Brian Woods “all girl” X-Men) Kitty Pryde, Psylocke, Rogue, Rachel Summers, Madelyne Pryor (not my fave, but she notably recently resurfaced as a villain), and Jubilee. 

So I figured I would overlook the fact that Nightcrawler is “not my favorite” (and I know Dr. Chris is going to come over here and tell me about the time Nightcrawler fought Dracula, and how he was better at it than Wolverine because Nightcrawler is a man of faith even though he’s a weird looking dude. I know. Still not my fave.) Nightcrawler is not a Claremont creation, he’s the brainchild of Dave Cockrum who conceived the blue teleporting mutant while he was on a Navy ship in Guam.

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The start of the story really drew me in. The recently resurrected Nightcrawler is fighting Wolverine. Wolverine has recently lost his healing power and they’re testing out a new armor suit. Logan’s as fast as ever, Nightcrawler has trouble teleporting away, in fact. So Nightcrawler ramps up. And Wolverine busts out the claws. Without his healing factor this is especially painful and dangerous and Nightcrawler backs off, but Storm has to break up the fight. She then has a heart to heart with Nightcrawler about how things change and people have to decide what they are made of. Face who they are and deal with the consequences. 

Nightcrawler walks around the halls of the Jean Grey School, remembering how they lost Jean Grey and Thunderbird. And some X-kids and Professors wave “hello” (Quentin Quire, Cessily, a flirty? Rachel Grey …that might just be the art style).But then he goes to see Amanda and mini-Nightcrawler Bamfs. They are interrupted by an unknown assailant in a robot suit. Curiously, it becomes clear that he is after Amanda (who has magic powers, not mutant powers) the adorable Bamfs help save the day and Nightcrawler throws the attacker through a wall. And he vanishes. 

And Amanda decides that the creep might be after her fam. She declines calling in the X-Men and they go in pursuit at the close of the issue. 

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Amanda = Magik II/Daytripper (not art from this comic)

Regardless of the fact that the second half of the book was a random mystery to me, I enjoyed this. It was very apparent that Claremont was nostalgically writing Wolverine and it was somewhat overpowering Nightcrawler. Which I was okay with. Write what you know, and all that. But the end of the issue takes Nightcrawler out of his (and my) X-Men comfort zone. 

Todd Nauck’s art is very crisp, the fight scenes were dramatic and easy to follow, the Bamfs were adorbz, all the ladies have big eyes, long lashes and pouty lips. It’s very playful and certainly added to the somewhat surreal vision that Nightcrawler is walking around with while he’s just getting back to his life.

I will be reading.