Red Sonja #9

This was an interesting issue. Sonja is collecting the third artisan for the dying pharoah’s last party. This time, the person that she is seeking is a high priced prostitute. Sonja’s been all work and no play and the beautiful specimens in the brothel are a sight for the travel worn, cold and horny Sonja. But the madam tosses out Sonja’s muddy, saddle-rashed arse. Sonja has recently been robbed and can’t afford to pay.

Sonja scales the wall and breaks into Aneva’s room. She momentarily reflects that Aneva is the “Princess of Passion” that she sells her body. “I suppose it’s not much different than what I do, what any soldier does.” And the truth of that really struck me. The complaints about sex work are usually: “but that’s selling your body” (as if at any job you are not selling a piece of yourself), “You’re opening yourself up to violence/injury or disease”. The comparison is also made often between sex work and modelling or athletics, but in the case of expected violence: soldier would be a closer match. 

Obviously, I have thought about this before, but for those who haven’t it is intriguing.

Aneva is hesitant to leave, she’s trying to unionize the escorts so that they can protect themselves from exploitation, theft and assault. 

Sonja tells Aneva about the pharaoh and his slaves. She needs Aneva’s help to see that the slaves are freed. Aneva agrees and they set out. 

Sonja’s been feeling the negative effects of herown life style and agrees to let Aneva give her a makeover. Sonja is distraught, she could have been this beautiful if her tribe wasn’t killed, if she wasn’t enslaved, if she wasn’t driven to the life she leads. The pair get caught up and when the greedy and vengeful Ferox arrives. Ferox is the man who claims to protect the prostitutes but abuses them himself and takes a cut of their income. He sees Sonja dolled up and assumes she is another “plaything.”

“My name, you lackwit doughy-faced ape. Is Red Sonja.”

A melee ensues and Sonja strikes down Ferox’s men, but it is Aneva who takes out Ferox himself. 

Turns out Aneva was named Toa, she grew up on a farm and her brothers taught her how to fight. She was born poor, a skinny kid who worked herself to the bone. Sex work was a way out, but she always dreamed of a life like Sonja’s, of prestige, of rescuing damsels.

So the two had more in common than they thought.

Issue #9 touched on a few interesting sociological concepts. Legitimizing sex work, appearance/beauty norms and sexism, the myth of free will.

If sex workers were able to unionize it would be viewed differently. If sex work was viewed as work instead of criminal behavior, victims of abuse, robbery or harrassment would be able to report without fear of repercussion from law enforcement or reporting from health care workers. Sex work is just that: work. Many people in entry level jobs find their employment exclusionary, exploitative and leaving them with low chance for social mobility.  So how different is it

And in regards to my statement “the myth of free will” how much of a choice do people have in their own destiny? Now this isn’t dire, and this isn’t 100% BUT, as referenced by Sonja and Toa. Aneva is at risk of abuse and exploitation in the brothel, correctly; she places the fault on the abuser and not the victims and seeks to improve working conditions. Her alternative, the way she was raised, saw her already as hungry, struggling and at risk for victimhood by theft. Sonja never got to be feminine, nurturing or excessive because of the tragedies that befell her family. In flashback in earlier issues, we saw that she was not born to be lethal, in fact she wouldn’t kill a rabbit for supper. She would have been soft, but her life circumstances wouldn’t allow it. Both women became who they are because it necessary for their own survival. So there’s a little musing on agency vs destiny. Free will is a myth because everything we go through influences the way our brains make decisions, we don’t have as many options as some would want us to believe. That’s why after Sonja’s family was killed she didn’t decide “Oh hey, I’m going to be a high priced escort”

And on to sexism and conventionally beauty norms, this is actually coming full circle: this discussion came up recently in regards to Lara Croft’s “breast reduction” -what girl’s with big boobs can’t have adventures and PhDs? or in the case of the Big Bang Theory’s bubbly dreamer airhead and pretty girl Penny versus the genius and frumpy Farrah Fowler, or actual Farrah Fowler actress Mayim Bailik versus pretty redhead science mascot Kari Byron (both here). Or: in the actual world, Iowa Supreme Court ruled it was legal for a dentist to fire his assistant because she was too beautiful. So from both men or women, as a society conventionally attractive women are view as being less smart, less capable and beauty becomes a liability in professional careers. Sonja can still sling a sword even after her Cinderella makeover (if Cinderella’s Fairy Godmother were a sex worker).

Think about it.

Legends of Red Sonja #4

The Grey Riders continue on their mission to get revenge against Red Sonja. They head into a village where they ask around.

Subscription cover by Frank Thorne

Subscription cover by Frank Thorne

Jenny’s Story: Parallax by Mercedes Lackey is told by a young woman who recalls being taken by perverts. Nei Ruffino creates images that show both what happened: On one side, panels lined with glitzy metallic accents show the girl in a tiara accosted by men with demon horns, the panel on the right shows scrappy dirty thieves and a messy haired boyish kid. Them becoming “sisters in arms” vs Sonja making Jenny haul the dead bodies. Nei Ruffino killed it on this one, the glittering memory vs the gritty truth, the art perfectly conveys this in a unique way.

The town considers Red Sonja an ally. And the Grey Riders are not amused. They continue into a forest. But the forest is home to a powerful being.

We see that Sonja has met this creature, this GOD before. God of the green, forest god, she rescued him and they shared a night of passion, after which he created a child in her image (actually, she looks like Poison Ivy, but whatever).

Little Red and her dad.

Little Red and her dad.

 

Very cool sort of gender role reversal. Sonja’s all “what the heck, why not have sex with a god” and he’s all “I want to have her babies”

Very rad. Marjorie M Liu, author of (among other things) urban fantasy series Dirk and Steele as well as Marvel’s X-23 series, circa 2010-2012. (I have a thing for X-23 right now, so I might have to find these), Phil Noto -who also teamed up with Liu on X-23- provided the art here and we get a more sultry and stunning Sonja, light and shadows bounce off characters and lush backgrounds beautifully and provide an ethereal feel.

Next month’s issue is the conclusion of this 40th anniversary celebration on our favorite chainmail bikini clad ginger, Legends of Fiction’s Legends of Red Sonja. At the very end of this one we see Red Sonja protecting the forest still taking out the Riders one by one. Will her daughter help chew them up? Or something else? I think that’s the most fun part of this series, you really never knew what you were getting next. Something serious, something funny, cartoon-y or gritty, magical, a treasure hunt, a scorned lover, a story told through the lens of jealousy or admiration.