Loki: Agent of Asgard #4

This series gives no french toast about telling the story consequetively: So we begin with Sigurd (the ever glorious) climbing a mountain to see Kaluu (Master of Black Magic). And He has Gram! The hero’s blade! But Loki is supposed to have that!

In the recent past, Loki is having dinner (baked salmon with lemon) with Verity Willis. Verity is one of my favorite new characters: a human lie detector. She’s a human. She can detect lies from gods, too. Which is how she sees Sigurd who has turned himself invisible with a Lightbender Invisibility Belt stolen from AIM. Sigurd is busting in to steal Gram. Duh. Once he’s busted, Sigurd tries to talk his way out it. But it turn out that the All-Mother has assigned Loki to have Sigurd returned to Asgard. The All-Mother is still displeased that Loki let Lorelei escape and they tell him that either Sigurd is returned or Loki himself will be. 

Sigurd and Loki duel and Sigurd is victorious. Duh. 

Back on the mountain: Kajuu is impressed, and when Sigurd requests that he be put onto the wheel of incarnation, so that when he dies he can be reborn instead of being tortured by Valkyries in Valhalla (a plotline that goes back to New Mutants #43 about 4 years ago). Kajuu agrees to help Sigurd with the sacrilegious deed and he gets Sigurd to sign it in blood.

It’s not Kajuu, it’s Mephisto. And he’s set to damn Sigurd to the torture pits. Only Loki’s gotten there first (and tripled up on invisibility cloaks) and switched the contract: he sends Sigurd back to Asgard and Mephisto back to Hell. Parting words from Mephisto, “It’s what I’d expect from the young punk. Not from you.” He knows that “kid Loki” is gone, and inside is his old pal.

Loki is getting anxious, not about Mephisto finding him out, but about the All-Mother locking up Asgardians for roaming free on Midgard, “In other words, today it’s him… tomorrow it’s one of us.” He asks Verity, Lorelei and Thor to help him on his mission.

“You don’t bring a sword to a Loki fight” is the name of the next issue. I wonder if Loki will come into contact with his alternate self that’s roaming about. But it’s still early in the series yet.

For Asgardia’s finest: Y.A.L.A. (you always live again) 

Not for Sigurd this time, but it’s working for Loki… thus far.

Lee Garbett’s art is well suited, fight scenes are crisp and the look matches the feel of the writing excellently. Something I don’t often acknowledge? The Lettering. Asgardian’s get their old school fancy font, Mephisto gets an odd one, scrolls appear here and there to announce random facts or times. It’s just good. It’s just so good. I have so much love for this series.

Red Sonja #8

Sonja is still on the quest to bring the legendary artisans together for the dying emperor’s final bash (for which he will set free 1,000 slaves as reward). Red Sonja has been travelling with the highbrow cook that she saved from the swamp. She’s in pursuit of the great entertainer the Beast Lord, who she had previously sworn to kill. She’s also facing some.. uh, “hungers” that the cook won’t indulge. Every moment of this is perfection. 

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This page (is probably too small to read) but the end when she says “I’m Red Sonja, I’m everyone’s type” LOVE IT

When they arrive at the festival to recruit the Beast Lord, he is in the middle of a barbaric show involving abused and hungry hunting dogs and a bear raised in captivity to fight for it’s master. It’s cruel and grotesque. The utilitarian Sonja makes no qualms about digesting animals but watching them suffer so enrages her. Mid performance, she draws back an arrow seemingly intending to kill Beast Lord, but instead she provides a quick death for the bear. This earns the cook and Sonja a trip to the dungeon. She tries to climb out (Gribaldi could have escaped this fate if he’d used his clout, but he does not wish to consort with an animal abuser- I know it’s a “vegan thing” but I would like to point out that last issue, the cook fed baby lizards to swamp people and incurred the wrath of large humanoid-lizards, so not exactly a poster child for causing animals grief… but I digress). Sonja tries to climb out but Beast Lord comes along to smack talk and stomp on her hand. Ouch.

They are visited by Rat, Beast Lord’s assistant -and the one that the animals really love. She says that she hates him and that she will set Sonja and the cook free. She meant half of that. They end up in the arena, about to be killed for sport. Sonja HAS been down that road. The cook blames Rat, but Sonja spares her. She didn’t really have a choice. Rat, in turn, triple crosses everyone and sets the animals out. They attack their abuser first, but they are hungry animals and it’s only a matter of time. Beast Lord dies. But Sonja opts to bring Rat to provide entertainment (and gets a playful lick on the cheek from a tiger). 2 of 5 collected! And on to the next!

My favorite aspect currently is Walter Geovani’s interpretation of Sonja, she has a regular sized waist, thick thighs a body befitting of a travelling sword slinger. She’s gorgeous but not girly.. and on this particular journey… she’s ditched the bikini in favor of a Xena-esque dress. The art is amazing and splendid, #7 took place in a grimy swamp, this one in a more decadent and exotic setting, lush colors and battle scenes that were busy but not disjointed.  

Frison’s cover is fantastic. Minimal but very very ominous.

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Loki: Agent of Asgard #3

This issue takes a break from the view of the new young (still kind of the old) Loki and follows the older (but possibly younger?) Loki. Loki is doing laps around the space/time continuum. We follow the aged trickster back in time to him greeting a young (and still prince) Odin. Loki gets the future king (and his adoptive father) into a heap of trouble after he takes out a shape changing man from a nearby town.

Side note: Odin’s all “That large beaver meant us no harm” but the both of them a clearly wearing leathers and eat meat. Both of these things involve killing animals that more than likely meant no one any harm. Loki just happened to kill a man in the form of a man-sized otter.

 

Jenny Frison cover = Old Man Loki +reflective riches Loki front and center conveying his self centeredness.

Jenny Frison cover = Old Man Loki +reflective riches Loki front and center conveying his self centeredness.

Anyway, they stop in to a pub and order some mead, but Odin picks up on that another patron is waiting for his son who was hunting supper. Dun dun… his son was the otter. One brother demands blood, the other demands retribution in the form of gold. Loki (the hardened old man Loki) shoots a fish with a bazooka to collect a treasure. Well, not exactly, he shoots a dwarf who can turn into a fish (his name is Andvari and this is a Norse folktale that is weaved in) The gold is cursed. And the character Regin behaves about the way he was written to traditionally. Andvari’ gold exemplifies the traits of each man who keeps it, Regin turns vengeful and Fafnir turns greedy (and into a dragon, he refused to leave the treasure and his body became deprived of food and water and survived off of spells and magic in the air and it transformed him… which is a very interesting idea). Sigurd, the first hero of Asgard, some years later, comes into the same tavern, he is served by Regin who has forged a mighty sword (Gram, the sword young Loki gets in Point NOW) to exact revenge, he gives it to Sigurd. IF Sigurd will slay (the now dragon) Fafnir and bring him his heart.

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Sigurd, being a legendary hero, does this mightily and then returns to Regin (who tries to stab him in the back. Literally). Sigurd keeps Gram. And some years later discards it. King Bor dies later still, and the still prince Odin finds it. Old Loki arrives and tells Odin to hide the sword in a box with 5 keys and save it… for this young Loki…

What does that mean?!

And if that wasn’t crazy enough, Sigurd in the PRESENT goes in search of his sword, finds that Loki already got there and vows to steal it back.

This series is so utterly and consistently good. I can’t begin to imagine why the haggard old man Loki has set this all into motion, but when he looks in on his other self (with Verity!) and says, “What a precious little girl child I am.” it poked fun at the taunts that Loki looked like “he’s from Twilight” or whatever crazy crap my friends thought about this. It’s a great story, about wanting redeption but knowing that you don’t really deserve it, and that you won’t really get it. But striving on anyway. The older Loki still considers himself the God of Evil… so why has he lead this Loki that seeks redemption to the ultimate weapon? What’s the end game?!

Well, I’m unsure… but I am exorbitantly intrigued.

Lee Garbett’s drawing and Nolan Woodard’s art suit this tale perfectly shadowy but still crisp, undertones of red, gold and green illuminate the pages. The toothy dragon is larger than life, his heart is larger than a man. The fight scenes are detailed. Loki is hardened and wrinkled, a stark contrast next to the goofy young Odin.

And Sigurd: the first hero of Asgard is Black. I love Marvel.

Sigurd +(young appearing) Loki in #4!

Sigurd +(young appearing) Loki in #4!

Anime Review- Legend of the Legendary Heroes

This incredibly enjoyable series begins with the adventurers oh an unlikely duo, Ferris Eris and Ryner Lute. They are sent to collect Hero Artifacts by Sion, the King of Roland. The leaders of a neighboring country called Estabul are also on the hunt for artifacts. Ryner is cursed with “magic eyes” demonic powers that come forth in the form of red pentagrams through his eyes. Through their early missions they are confronted by magical knights from the neighboring territory ..and Milk Calloud, part of the taboo breaker squad who works for King Sion, but doesn’t know about the mission. Milk is the captain of her squad, she’s also got a big time crush on Ryner and thinks that ferris must be enticing him to break the rules. Milk is giddy and girlie. She is very capable, but has childish ways of getting herself out of trouble (usually yelling that she has to use the bathroom). From the beginning Ferris is fierce, great with a sword, constantly teasing Ryner and obsessed with food.

Particularly tea and dango

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Ferris is a really fun and interesting character. She’s not above violence, but she disdains killing, she’s a loyal warrior. Although she constantly picks at Ryner -calling him a pervert who corrupts virgins and their mothers with a wolfish grin although this is completely untrue- she teases him for his laziness and incompetence, but she is a true friend.

Ryner is incredibly lazy, in the beginning episodes we see him lounging his way through military school, even when tasked with the important mission retrieving artifacts he is unmotivated and unimpressed. He constantly takes naps and complains about any work to be done. He laments at the end of each episode about how everything sucks. It’s whiny and annoying. He’s “cursed” but as someone who consumes a lot of fantasy genre media, it’s heard demi-god power defined as a curse before. I’m not buying. However, as we get deeper into his history, learning that part of his memories are missing, that he was raised in an orphanage that his childhood friends were killed right in front of him (which was the first time the Alpha Stigma was truly unleashed). He killed many people and sees himself as a monster. Most Alpha Stigmas never reach their full potential because they go crazy young. This all reaches a head in episode 10, when he and Ferris meet up with two pink haired travellers who have already claimed 4 Hero Artifacts that are working for Sion’s enemy Gastark. They fight, Ferris is thrown by the smaller female wielding an ice scythe leaving Ryner to abandon his fight to catch her, she remarks, “Is my beauty so distracting to you?” and he says, “What the hell is your problem?” The male of the antagonist duo calls forth Ryner’s Alpha Stigma, the demon voice attempts to convince him that he should burn everything, that destruction would be more enjoyable than trying to fit in and play hero with humans who don’t accept him. He nearly loses himself and attacks Ferris. Ferris hurls insults at him and then tells him that there’s no way he could be a monster, she doesn’t believe he’s really trying to kill her. She overcomes his magic and he collapses in a heap in front of her. He thinks that now that she’s seen him for what he is that she’ll leave. He tells her he’s too dangerous. Ferris plainly says that there will be no telling her where to go and that besides that they had a date for tea. He starts to cry and she doesn’t coddle him, but makes it clear she won’t leave him. I’m a total sucker for scenes like that and to be honest I have no idea what to do with someone over the age of 12 who is crying, hugging and making sarcastic comments is likely. So I found Ferris’s actions endearing. But by now the audience understands that Ryner isn’t a lazy goofball, he’s clinically depressed and nothing seems worthwhile.

For the most part, nothing much changes in their relationship, although they both internally reflect back on that day. One act of acceptance does not cure Ryner of his depression. It’s a handful of episodes more before we get more backstory on Ferris who is nobility and well trained to be a warrior from a young age, her parents considered her a failure and decided she was only useful as a vessel to carry on her family’s bloodline so her father attacks her, her father is then killed by her very powerful and protective brother. The showing is brief and isn’t very graphic. It provides insight as to why she is so protective of her younger sister and why she sees Ryner as a pervert. It’s likely she sees all men as perverts. Her snarky attitude is cover for her sadness the way that Ryner’s laziness is cover for his.

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Throughout the series they encounter new enemies, either trying to beat them to the Hero Artifacts or just enemies set on vanquishing Alpha Stigma monsters. Ryner makes it his goal to save any Alpha Stigma kids before they kill and become corrupted. The story also follows Milk, and another love interest of Ryner’s, Kiefer, who belongs to Gastark’s kingdom. King Sion is a complex character himself, he abhors violence, believing that all life matters and people all have a place in this world but with those in his kingdom afraid of those bearing the Alpha Stigma he is forced to take precaution against Ryner. He’s also collecting artifacts that carry god-like powers which seems akin to political tactics like “peacekeeping through superior firepower”. He’s also harboring some big secrets. Towards the end Ryner meets others “cursed” like him and he sees that they are not all monstrous killing machines.. secret origins get revealed.. There’s a lot going on here.

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An amazing story, great animation, masterfully executed, humorous, full of action and high fantasy. It’s lush and gorgeous. It’s funny and sweet and exciting. 

Based on light novels by Takaya Kagami originally illustrated by Saori Toyota.

PrinceLESS #1

I was light on comics to pick up, so I decided to just grab some stuff. And I was sifting through NES cartridges when out of the corner of my eye I see this bright pink comic on the All-Ages shelf. I don’t usually read “all ages comics”, or “girl comics” or “fairytale comics.” 

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So in this story we have a Fairytale Princess. And this fairytale princess is of color. Unfortunately this is so notable because of representations of Princesses including but not limited to those by Disney whose single foray into having a black/African American princess left the heroine as a swamp animal for most of the movie without any princess privileges. And spare me the “but Tiana worked hard” or “it was realistic” because No. It wasn’t. And frankly it doesn’t matter: There were so many discussions about whether or not Disney could have used an African folktale for the story or if they made the right move by setting it this way and the correct answer is that they could have done both or neither: EverAfter/StoryLand worlds are make believe and everyone should be included. No one living in 2014 America recognizes themselves culturally with dragons or castles or birthright. And yet for some reason these movies repeatedly come out with white characters as if this is something logical because it’s realistic or historical because it has an origin in some Northern European country. And writers, artists, animators, marketing execs and whoever else can handle that movie/comic/TV fans can suspend disbelief for talking snowmen, fairy godmothers, magic spells, etc., but do not think the masses can handle a princess being a different race than the one in the original literature written hundreds of years ago? OH Spare me. People who actually have a problem with it should be banished to 1280 AD. 

Plotwise: We start off with a story within a story: a fair maiden with arms like pipecleaners getting saved from a tall tower guarded by a dragon by her one true prince. And they live happily ever after. Oh Joy! Princess Adrienne doesn’t buy it. And she tells her mother so. Her mother is nonplussed. The practice of locking Princesses in towers to be saved by the most valiant of knights who will prove himself brave and worthy enough to rule is accepted. She figures Adrienne will get over it (she doesn’t) and she gets locked in a tower when she turns 16 (after being drugged by her parents). 

While stuck in her tower, she writes so she doesn’t “go stupid” and scolds both the dragon and princes below. One such prince shows up and says he seeks a “fair maiden.” She tells him that “fair” means “white.” She calls him a moron, then says, “You’re so anxious to take a wife! Why don’t you take a book first? Work your way up.” 

Through a series of events she ends up teaming up with the dragon that ‘s guarding her tower (by telling him that he’s part of a system that is detrimental to him!), gearing up, and setting out to free princess from towers! 

The real gem in this feminist dream? 

The end of the comic has a mini story that features a Prince, forced to go through Charm School to learn how to save princesses who finds out that it’s not all he hoped it would be. 

Because patriarchy is bad for everyone. HOLY GUACAMOLE!

I picked up the $1 reissue of this and I cannot wait to find the rest because it is both fun and insightful. And Adrienne is dressed like Princess Peach which has nothing to do with anything really, I just thought that was cool. I know I focussed in on all the social justice stuff. But really the overall plot is a spunky action-chick who teams up with a dragon (to rebel against society). Come on. that is so rad.

I don’t even give stars for comicbooks and this gets 5 Stars