Anime Review- Legend of the Legendary Heroes

This incredibly enjoyable series begins with the adventurers oh an unlikely duo, Ferris Eris and Ryner Lute. They are sent to collect Hero Artifacts by Sion, the King of Roland. The leaders of a neighboring country called Estabul are also on the hunt for artifacts. Ryner is cursed with “magic eyes” demonic powers that come forth in the form of red pentagrams through his eyes. Through their early missions they are confronted by magical knights from the neighboring territory ..and Milk Calloud, part of the taboo breaker squad who works for King Sion, but doesn’t know about the mission. Milk is the captain of her squad, she’s also got a big time crush on Ryner and thinks that ferris must be enticing him to break the rules. Milk is giddy and girlie. She is very capable, but has childish ways of getting herself out of trouble (usually yelling that she has to use the bathroom). From the beginning Ferris is fierce, great with a sword, constantly teasing Ryner and obsessed with food.

Particularly tea and dango

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Ferris is a really fun and interesting character. She’s not above violence, but she disdains killing, she’s a loyal warrior. Although she constantly picks at Ryner -calling him a pervert who corrupts virgins and their mothers with a wolfish grin although this is completely untrue- she teases him for his laziness and incompetence, but she is a true friend.

Ryner is incredibly lazy, in the beginning episodes we see him lounging his way through military school, even when tasked with the important mission retrieving artifacts he is unmotivated and unimpressed. He constantly takes naps and complains about any work to be done. He laments at the end of each episode about how everything sucks. It’s whiny and annoying. He’s “cursed” but as someone who consumes a lot of fantasy genre media, it’s heard demi-god power defined as a curse before. I’m not buying. However, as we get deeper into his history, learning that part of his memories are missing, that he was raised in an orphanage that his childhood friends were killed right in front of him (which was the first time the Alpha Stigma was truly unleashed). He killed many people and sees himself as a monster. Most Alpha Stigmas never reach their full potential because they go crazy young. This all reaches a head in episode 10, when he and Ferris meet up with two pink haired travellers who have already claimed 4 Hero Artifacts that are working for Sion’s enemy Gastark. They fight, Ferris is thrown by the smaller female wielding an ice scythe leaving Ryner to abandon his fight to catch her, she remarks, “Is my beauty so distracting to you?” and he says, “What the hell is your problem?” The male of the antagonist duo calls forth Ryner’s Alpha Stigma, the demon voice attempts to convince him that he should burn everything, that destruction would be more enjoyable than trying to fit in and play hero with humans who don’t accept him. He nearly loses himself and attacks Ferris. Ferris hurls insults at him and then tells him that there’s no way he could be a monster, she doesn’t believe he’s really trying to kill her. She overcomes his magic and he collapses in a heap in front of her. He thinks that now that she’s seen him for what he is that she’ll leave. He tells her he’s too dangerous. Ferris plainly says that there will be no telling her where to go and that besides that they had a date for tea. He starts to cry and she doesn’t coddle him, but makes it clear she won’t leave him. I’m a total sucker for scenes like that and to be honest I have no idea what to do with someone over the age of 12 who is crying, hugging and making sarcastic comments is likely. So I found Ferris’s actions endearing. But by now the audience understands that Ryner isn’t a lazy goofball, he’s clinically depressed and nothing seems worthwhile.

For the most part, nothing much changes in their relationship, although they both internally reflect back on that day. One act of acceptance does not cure Ryner of his depression. It’s a handful of episodes more before we get more backstory on Ferris who is nobility and well trained to be a warrior from a young age, her parents considered her a failure and decided she was only useful as a vessel to carry on her family’s bloodline so her father attacks her, her father is then killed by her very powerful and protective brother. The showing is brief and isn’t very graphic. It provides insight as to why she is so protective of her younger sister and why she sees Ryner as a pervert. It’s likely she sees all men as perverts. Her snarky attitude is cover for her sadness the way that Ryner’s laziness is cover for his.

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Throughout the series they encounter new enemies, either trying to beat them to the Hero Artifacts or just enemies set on vanquishing Alpha Stigma monsters. Ryner makes it his goal to save any Alpha Stigma kids before they kill and become corrupted. The story also follows Milk, and another love interest of Ryner’s, Kiefer, who belongs to Gastark’s kingdom. King Sion is a complex character himself, he abhors violence, believing that all life matters and people all have a place in this world but with those in his kingdom afraid of those bearing the Alpha Stigma he is forced to take precaution against Ryner. He’s also collecting artifacts that carry god-like powers which seems akin to political tactics like “peacekeeping through superior firepower”. He’s also harboring some big secrets. Towards the end Ryner meets others “cursed” like him and he sees that they are not all monstrous killing machines.. secret origins get revealed.. There’s a lot going on here.

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An amazing story, great animation, masterfully executed, humorous, full of action and high fantasy. It’s lush and gorgeous. It’s funny and sweet and exciting. 

Based on light novels by Takaya Kagami originally illustrated by Saori Toyota.

Anime Review #1- Rosario + Vampire

I’ve actually been meaning to write about this one for a while. The premise is perfect. A boy who fails to get into any prestigious private schools is accidentally enrolled in a school for monsters, Yokai Academy. The only human, surrounded by snow ghosts, succubi, werewolves, vampires, witches, cat people and blob monsters quickly attracts a posse of magical females… who all want him. The age and premise make this akin to a gender-swapped City of Bones. Powerful females constantly protecting the puny human from a world that he was unwillingly cast into? Multiple suitors vying for affection? One of them is an outright stalker?

Yup.

Tsukune Aono flirts with Moka Akashiya (who is a sweet girl wearing a rosary that keeps her violent vampire form underwraps), Tsukune likes her but doesn’t like sharing his blood and isn’t 100% about dating a vampire. He is also pursued by a busty succubus, Kurumu…

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…and the super stalker Mizore.

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Mizore begins as a villain, willing to hurt Kurumu, Moka and even Tsukune himself while in pursuit of his affections. During the altercation Tsukune blames himself. Says that this is all happening because of him. Kurumu wisely speaks up, telling him that he is not to blame, “It is never the victims fault! People are responsible for their own actions!”

This is something that is few and far between in media aimed for the tween and teen set (although I wouldn’t rate this anime in that category) we often see victim blaming in YA. Examples include, audiences not liking Clary’s “friendzoning” of Simon, the “romantic” stalker Edward’s over protectiveness of Bella, Buffy’s mother blaming her for the creeper behavior by Angelus after they sleep together. So I had a fist pump moment when she blurted that out.

Tsukune is also kind of a special snowflake himself: he’s the only one that can remove the cross from Moka’s neck. He solves his problem using traditionally female tactics like talking out problems with the monster.

Although I’m touting the feminist power of Rosario + Vampire… Moka’s transformation scene leaves much to be desired in that category.

At Anime Boston there was a panel called “Fight Like a Girl: How Magical Girls Weaponize Femininity” the presenter was named Nina (if anyone has additional info, throw me a comment, I’d love to add it) and she brought up this excellent point about magical girl transformation scenes from Sailor Moon and Ballerina Tutu. The Females put on jewelry, get a hair makeover and/or change into a fancier outfit. This can have both negative and positive interpretations. From “you have to be beautiful and girly to have power” to “you can be pretty and girly and have ability as well” to “pride in your appearance can be empowering” and it is really individual preference that will dictate one’s interpretation.

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But with Moka: We get and upskirt, her breasts enlarge and her shirt busts open. Brief flashes of (albeit not graphic) nudity ensue before her hair lightens. Her inner-vampire is a true immortal in the body of a girl and I see why this happens but I have trouble concocting a positive twist on cleavage and panty shots being a sign of power. The anime itself is rated MA 18+ (there’s a BDSM teacher/monster, a perverted senior and a million upskirts) so the case can be made that this is for adults… but the characters are still Freshman and Sophomores and one member of their group is only 11, Yukari Sendou.

And the lessons learned are very teenage. Yukari, for example, faces bullying for being a witch (a “being of the borderline” AKA a supernatural HUMAN) until Moka and Tsukune stick up for her. She’s also coming to terms with her sexual orientation she falls first for Moka and then for Tsukune she wants them to have a three way relationship. In one episode, after being teased by volumptuous Kurumu she wants to grow up and visits the school nurse who feeds off her body shame and self loathing but transforms her into a beautiful womanly figure who instantly attracts attention. In the end she learns to love herself as she is and not grow up too fast. So the rating and life lessons are very incongruent. I don’t know what the rating is in Japan and I have heard that the 18+ rating is ethnocentric and based on prudish Western connotations.

Still.. there’s nothing empowering about wind blowing your skirt up.

If you can get passed that it is very good and lots of fun. I enjoy seeing how the group of friends gets out of trouble and am impressed with how often opening their circle up to other characters- who are mainly female- solves conflict. I also enjoyed the varied interpretations of monsters, and despite pandering to male audiences there is some genuine girl power.

Dracula: Episode Seven

Alexander Grayson finally gets the recipe for the sunlight serum down. He has 4 hours. But he’s hungry, so hungry. He gets a taste of Lady Jayne. And nearly takes a bite out of the cleaning staff. Mina continues to act sweet and silly and sets up a dance at the hospital for which she needs to borrow Grayson’s phonograph. 

A heartbroken Lucy meets with Lady Jayne to tell her how her confession to Mina went.. “Monstrous.” Lady Jayne sent her out to profess her love and this exchange blew up in Lucy’s face. Lucy says Mina’s look was of revulsion and Lady Jayne says Mina’s just scared of her own sexual nature. What does Lady Jayne have to gain in this?!

Lucy busts in at his tailor and tells Harker that “Alastair wasn’t exactly her type” and after receiving some remarkably terrible and devious advice from Lady Jayne sets out to seduce him. That bad advice also involved a tease and a kiss.

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The treatment Lucy is receiving is unnecessarily cruel. 

And Renfield had bid a million dollars on a painting only to have it stolen by Davenport. It’s a painting of Drac’s wife who obviously looks identical to Mina Murray. Now Davenport knows who Drac loves and can seek his revenge!

Harker is summoned by the Order.

Grayson makes Mina’s party a proper affair by having real string players and is dancing joyously with one of the patients when she arrives. Then he has to leave abruptly because the sunlight is weakening him. Mina stops him. She is disappointed that Harker is missing from the dance and says she wants to dance with Graysons (…bad decisions all around) but he can’t resist, steadies himself and dances with her in the hall. They flirt, he leans in close, almost for a kiss but become preoccupied with her pulse in her throat. His hands start to tremble and she thinks she’s made him nervous. But it’s really that he is trying to keep himself from taking a bite of her.

Grayson runs late and arrives right around the same time as the Police tipped off by the Order and their new member Harker. They allege that the machinery is a health hazard. And shut him down. Grayson throws money that them and things get a little “fuck the police” at Grayson Electric Company.

Harker apologizes to Mina. Mina doesn’t apologize for the emotional and nearly physical affair that she’s having. To top off the evening, Grayson makes a snack out of the cop and then threatens Van Helsing for teasing him, giving him just a taste of the world he once had.

There was much to like about this episode. But unfortunately it wasn’t the same scenes that the show focussed on. The dance between Grayson and Mina was an obvious highlight. But of interest to me is the rift growing between Van Helsing and Grayson. 

I’m exceptionally displeased with the way Lady Jayne is teasing Lucy. What value is it? What does she have to gain by sending Lucy to embarrass herself and to sabotage Harker and Mina. Why? What good does it do her? It was well acted, well.. on Katie McGrath’s end for certain. But I just do not understand why the writers are toying with Lucy in this way (after having the tragic death and suicide of the show’s only other LGBT characters). Why would Lucy flirt with Harker? Seduce him to shake Mina’s relationship? That only serves to prove to Mina that Lucy’s intentions are impure. How would that make Mina want Lucy?! And why would Lady Jayne want her to break up Mina and Harker (since she has witnessed Grayson flirting with Mina… wouldn’t she want Mina attached? Perhaps?)

Baffled.