Movie Review- Horns (2014)

I enjoyed this movie thoroughly, more than I was prepared to, in fact. The trailers had looked amusing, but it’s short theatrical release and mixed reviews prevented me from giving this one a fair shake. It turned out to be a bizarre, twisted whodunit. Very stylish, sort of Brick meets “Supernatural”.

Iggy Perrish (Daniel Radcliffe) is suspected of murder after the love of his life is found murdered. The town and even his own family turn against him. He loses faith in God, and after a drunken bender that sets him pissing on religious artifacts, he sprouts horns. Far from just head gear, those around him start confessing to their deepest -and sometimes darkest- thoughts to him, and caving into their desires at his mere suggestion. Ig uses this to his advantage to punish those who seek to exploit Merrin’s death, and to seek out her true killer.

This film is based on a novel by Joe Hill who wrote the graphic novel series “Locke and Key” and enough short stories to rival his father, Stephen King.

The characters themselves are wonderful, the truth is revealed in bits and pieces. But as always in media, certain tropes are prevalent. The male characters exist in many shades of gray. Radcliffe’s Ig is a mess following the death of his one true love Merrin (Juno Temple), he’s drunk and dirty and hanging by a thread. All understandable, but even in flashbacks, we see that he was never the most capable of his friends -Lee fixes Merrin’s cross necklace that Ig then returns for he appreciation, he nearly drowns on a dare. As an adult, he doesn’t seem to have much going on outside of Merrin. Ig’s brother, Terry (Joe Anderson) is a drug addicted musician, he lies to his brother and he didn’t even try to save Ig when he nearly drowned as a kid. Terry is somewhat of a coward. Lee was always the good friend, the attorney who vows to protect Ig, the friend who saved him from drowning, who stayed friends even after Ig gave him a defective cherry bomb that disfigured his hand. But Lee always coveted Merrin.

The women, however, fit another pattern all together. Glenna is promiscuous and viewed by the town as “trash” -she’s also the only person who truly reaches out to Ig, but this is somewhat overlooked. She could have played a more central role, but instead, Iggy encourages her to but the town in her rearviews and start over. Veronica (Heather Graham) lies about seeing Iggy chasing down Merrin and threatening her on the night she was killed so that she can get attention and see herself on magazine covers. She’s vain and vile. A liar. She has no redeeming qualities whatsoever. But Merrin? Merrin is pure, Merrin flirts via morse code and always wears a cross, she’s shown in beautiful dresses, sunlight radiating off her skin. Even in flashback, Lee points out that “Merrin is different from other girls” and he mentions how trashy Glenna is, and that the older boys only keep Glenna around because she’ll give them handjobs. And like all “perfect” women? Merrin dies. And worse? She dies for it.

And that’s why the whole town is angry, why Ig’s mother wishes he wasn’t her son, why his father thinks that Merrin was the best thing about Iggy. Because she was so pure.

Merrin, the mythical “perfect” woman is missed by everyone in a way that causes unending venom to be spewed at Iggy Perrish while Glenna does a Courtney Love impersonation and vain Veronica has seemingly no morals whatsoever.

But after all that, this is a very good flick.

Iggy brings out the worst in people. They delvolve, their deepest, darkest thoughts are acted upon before his eyes once he turns his back on God and grows horns. But he’s not a personification of evil. That’s hard to understand at first. He claims his innocence while turning into a devil. But he’s presented as a fallen angel and Merrin as an angel. Once he realizes how “persuasive” he is, he starts following leads and interrogating townspeople to find the truth. While the audience discovers that Merrin had a secret of her own. And Iggy must decide who is to blame and if his humanity can be saved.

Great effects, solid plot, consistent rules, unique storyline.

 

Movie Review- Found (2014)

Based on Tom Rigney’s 2004 novel of the same title, Found has won big on the film festival circuit. 40 Official Selection awards, 15 best picture awards and 8 best actor awards. It’s a dark coming of age story that follows Marty (Gavin Brown), a bullied young boy who spend his free time watching horror flicks and creating graphic novels… and sneaking peeks at the decapitated heads inside of his older brother’s bowling ball bag.

He knows his brother Steve (Ethan Philbeck) is a serial killer but he still wishes that they were closer like the old days. Their mother is clueless, or at least seems to be from Marty’s point of view, and their father is a racist and an asshole.

I can tell without looking that the Best Actor awards went only to Gavin Brown, because no one else there was doing any good acting. Ethan Philbeck delivers his lines in a bizarre manner, and audio quality and editing seem to make the other’s seem jerky and unsure. Everyone else looks like they are acting.

This film really could have gone places for me. It’s doing something really rare in horror, focussing on the emotion not of the tortured but on that of someone just on the outside. Following a family living in suburban paradise, a family who has secrets. Marty has an all too common real world problem, he’s bullied by classmates until his own friends turn on him. And a dysfunctional older brother who loves him. He thinks his parents are out of touch and he doesn’t understand what is happening around him. Steve takes revenge on Marty’s bully and Marty threatens a friend who turns on him that Steve will kill him… a stunt that he wonders if Steve will turn on him for.

And it would all be so perfect. So perfect.

Except that there is a movie within the movie, called “Headless” (which you can watch in full on the DVD) which involves a serial killer who hacks women to bits and then fucks the decapitated heads. Not to mention that Steve’s killings are racially motivated. Why? We were going along so well without racism, And needless skullfucking. And uncomfortable to watch scene of eyeballs being eaten and regurgitated (although that one by itself isn’t a deal breaker). But after following horror nerd Marty around and people thinking he’s weird for liking pretty much all the shit that I like and having him misunderstood by peers -it seems thrown away to have Steve motivated by a horror VHS that he stole from the video store.

And I hate everything where there is rape or incest portrayed just to have it there. Because the heads in the bowling bags didn’t indicate that Steve was a bad guy or anything by themselves… right?

So it starts out rather poetic and then gets too weird at the end for me to have loved it the way that I would have without those troubling elements. Sadly, I feel like the purpose or moral of this story is thrown out nearly entirely by the break down of Steve’s character. It could have been so much more. But sadly, 2/5 stars.

Movie Review: ABC’s of Death 2 (2014)

The follow up to the original film makes you rethink your fragile existence with 26 more interesting short films of bizarre deaths. Not all of these are horror (though many are). The plots range from sadistic killers to vacations gone bad to children’s fantasies gone awry. Most are live action, but some are claymation or animated. Some send chills down your spine while others are quite poignant, and another references The Three Stooges.

Some of Radio Of Horror’s favorites: A is for Amatuer gets the ball rolling with an action packed romp about a beginner level assassin. The most bizarre short was D for Deloused directed by Robert Morgan who is known for directing Tool music videos which are also bafflingly creepy. Believe that this stop motion animated freakshow of beheadings and bugs will make your skin crawl. E is for Equilibrium  switches the tone to something completely different with castaways fighting over a woman who washes up on shore. Then F is for Falling tugs on my heartstrings with the story of a female Israeli soldier whose parachute gets tangled in a tree is found by an armed Palestinian young man, in just a few short minutes Aharon Keshales and Navot Papushado tell a modern story more gorgeous and heartbreaking than “Romeo and Juliet” that ties into current affairs that seem intangible and far away to much of the West and instantly it’s relatable, it’s just fascinating.

H is for Honorable Mention: H is for Headgames is an interesting concept: a man and a woman kiss and it turns into a surreal power struggle. I am a huge fan of Bill Plympton and I really wanted to like this one a bit more than I did. It was good, and instantly recognizable. I’ve been a geek for Bill Plympton since I Married a Strange Person came out in 1997 (just kidding, I was 12. I probably watched that for the first time in 2003).

Bringing the horror: The contest winner (chosen from 541 submissions); M is for Masticate takes a turn for true crime and reminds us all about bath salts (did everyone just smarten up real quick about those or what?) and it was great, both humorous and terrifying. Hajime Ohata’s O is for Ochlocracy a mother protecting her child from zombies finds herself not in a struggle for survival but a legal battle when zombies are “cured” and coexist. S is for Split sees an ill fate for one half an unfaithful couple. In Jen and Sylvia Soska (The Demon Twins of Berlin in American Mary)’s T is for Torture Porn a woman harassed at an audition gets her hentai on. U is for Utopia gets sci-fi, big brother meets cosmetic culture when an unattractive man is targeted in a crowd of the fit and well groomed. V is for Vacation gets gritty and real with killer prostitutes. French actress Beatrice Dalle appears as a creepy and unstable babysitter in X is for Xylophone. Z is for Zygote creeped me out …mostly because the idea of being pregnant for 13 years is terrifying.

This film has many high points, although it is up for debate which ones are king. With bites from various genres, demographics, weapons of destruction, style and sentiments there is something for everyone. And it’s worth watching for that alone. Most of the actors are unknown and so the only thing to judge on is the direction, which is something so rare in the typical reboot and sequel cinescape, that’s what really makes this unique (even if it is the second time). The showcasing of new or relatively unknown directors with cult favorite directors made for innovative and enticing bites of film.

Worth the watch -just put down the popcorn during D for Deloused.

4/5

Produced by Ant Timpson and Tim League, distributed by Magnet Releasing.

Have you watched? What were your favorites?

Movie Review: 13 Sins (2014)

Elliot Brindle (Mark Webber Scott Pilgrim vs The World) is a down on his luck salesman who always bore the brunt of his family’s needs. He pays for his special needs brother’s care, he puts up with a father who is unpleasant and ornery, he’s not respected at work. He does have a loving fiancee, Shelby (Rutina Wesley, “True Blood”) and a baby on the way. But Elliot’s already bad luck takes a turn for the even worse when what should be an interview for a promotion turns into a firing; with scathing comments from his superiors. He’ll lose his insurance and his brother’s program won’t be covered and his father (played by Tom Bower, Thr3e, Hills Have Eyes) is in failing health and has to move in with him.

Certain elements make me feel for Elliot. He went to college but studied a foolish major, he’s a Type B with a Type A job. He never could take risks because he had responsibility beyond his years already caring for his brother while his father acted like a self centered asshole following their mother’s death when Elliot was nine.

But when he lets his father move in… his father -a vehement racist, sexist and all around asshole.. Elliot lets that shitbag move in with his black bride to be. A man who asks Shelby to zip his pants for him. I lost all sympathy for Elliot there. Worse yet, it was just thrown in to give another reason why Elliot’s life was so shitty… but in a twist of somewhat bad writing it’s also made out that Elliot wants to impress his father. It was just pointless really, just to show that Elliot was wishy washy -understandably as a way to show how quickly Elliot evolves (and devolves) in the film.

Elliot is having his worst day ever when he receives a phone call. The voice on the other end instructs Elliot to kill a fly, and then eat it for a reasonable sum of money. He is then told that he has the chance to win a life changing sum of money All he h) as to do is complete 13 challenges …and hey, he’s already done 2! On the list? Destroying a nativity scene, desecrating a corpse, amputating a childhood bully’s arm, making a small child cry …and killing someone.

The police respond to the crimes and get descriptions from eyewitnesses. They realizes that there is one perpetrator for all these crimes. Detective Chilcoat (Ron Perlman, Hellboy, “Sons of Anarchy”) starts to investigate and meets a conspiracy theorist who tells him about “The Game.”

This game has a few rules. The player can’t tell anyone about the game, for example. So Elliot spends much time ducking his wife on his quest. Once Chilcoat gets involved it reaches pandemonium. Then Elliot realizes that there are other players and the carnage ramps up again.

Only one problem. No one acts like this. Rutina Wesley’s Shelby is the only characters who acts like a human being.

Everyone else acts like a caricature. The plot is good (and also ripped off from a Thai film called 13:Game of Death which makes more sense as a title since killing a fly and eating it is not a sin at all). But the character development is terrible. Especially towards the end. Chilcoat’s actions are random and make no sense. The movie seems to want us to root for Elliot over Chilcoat from the get go (even though Chilcoat is doing his job an Elliot’s actions are reprehensible) so they throw in this foolish twist to make Chilcoat corrupt. But Elliot has devolved into a frantic fiend at that point.

Elliot could have been a badass anti-hero. This film could have explored the human condition, what capitalism and desperation will bring out of a mild mannered person. But the character development is just not there.

Interestingly, Mark Webber grew up homeless living in cars and eating scraps and doing anything for money before he broke into the biz. He and his mother participate in activism to raise awareness about homelessness, attend protests and they volunteer time in shelters. …And he’s playing a man who becomes a murderous asshole in a matter of hours after losing his job. Done well, it would have been great. A man pushed to the brink because he’s in poverty, he’s unable to “be a man” in the eyes of society and he is driven insane on this quest to get rich quick and provide the American Dream for his family, like an able bodied man “should”. But instead, Elliot’s actions become so reprehensible that the only conclusion on his character is that poor people would kill you for a dollar. And fuck that.

Chilcoat’s actions also make no sense. He’s painted as the “bad guy”, the antagonist that’s going to stop Elliot. But he should! Elliot is causing wanton destruction and injury. But then Chilcoat joins up with the game runners and it makes no sense. Why? Money? So is the moral of the story that ALL people would sell their soul and toss aside their beliefs for a payout? What the…

Not only that, the game runners are everywhere and can see everything. It’s been happening for decades but no one knows because the police all sell out and cover it up. There are multiple people playing at once who run into each other all the time. Elliot has a bank app on his flip phone. It’s just not believable.

SO close, but so far.

SPOILERS FROM HERE ON OUT

For the final challenge: Elliot has to kill a family member. His father who is a fucking racist is an excellent choice, especially after it is revealed that their father killed their mom to win the game. And I watched it screaming at the screen: “Just do it together, Elliot and Michael kill dad together and they both win!” but they DONT DO THAT. Elliot spends too much time yapping after dismissing Michael …why? To keep Michael innocent? Can’t be. Michael has already killed people. So Elliot is that greedy. Or ableist. Maybe both. anyway, dad slits his throat rather than let Elliot win. That leaves Elliot and Michael to face off. There’s also this weird connotation that Michael doesn’t know the difference between right and wrong which also seems ableist and gross.

And even more baffling: after Elliot kills Michael, Elliot kills Chilcoat and forfeits his prize.

It makes no sense.

It makes no sense and it was awful.
I could have suspended disbelief for the see all gamerunners but the ending was so terrible and the character development was heavy handed as all hell. The pranks were somewhat creative and there was plenty of gore and mayhem. Just didn’t hit the mark, even the badass cast couldn’t save this shitshow of classism and ableism.

2/5

Movie Review: Houses October Built (2014)

A real documentary about 5 friends who set out to uncover the culture of underground haunted houses. Brandy Schaefer, Mikey Roe, Bobby Roe, Zack Andrews and Jeff Larsen are longtime friends who set out in an RV to 9 different haunts. Interviews are not scripted or manipulated in anyway, and the truth is more horrifying than the lie in this flick. People running haunted horror events notoriously don’t run background checks… some of the things participants say are down right deviant and terrifying. There are multiple actual news reports related about people dying in haunted houses while pranking their friends and no one knows until long after the night’s over.

The crew travels across Texas in search of the most frightening events October has to offer. Along the way, they hit up all types of attractions (including zombie paintball) …and then they go in search of the Holy Grail of underground haunts but get more than they bargained for from locals.

Interestingly enough, this film was fascinating on it’s own. It won FearNET’s Shocker Award in 2011. Sadly, this project fell by the wayside for a while. The producers behind the Insidious films and Paranormal Activity decided that what it needed was a little mockumentary flair.

…and it works.

I don’t know that it needed it; but it is well acted enough that the scripted portions fit well with the various interviews, news reports and first person filmings in dingy fake blood coated halls. It adds another dimension to the film that I hadn’t seen coming. I’m also not totally clear when it started. Brandy, the lone female, has an altercation with male hillbillies in a public bathroom. Mikey has an argument with locals that gets them run out of town. They pick up a bizarre hitch hiker. These brief elements break up the chatty drives in the sun on the long trek from destination to destination. So when things get more serious… it’s difficult to know what to believe. Is this a practical joke? Have they found the haunt they are looking for? Or are they facing deranged lunatics?

A great look at extreme haunted houses and intense and escalating subculture surrounding haunted events …with a little Hollywood panache.

5/5

This film is out in select theaters and on itunes on Friday 10/10.

Brandy Schaefer will be on WCUW’s Radio Of Horror on Sunday.

Movie Review: Devil Incarnate (2013)

Graci Carli stars (sort of) as a woman named Holly who has recently married. Her husband is played by Rod Luzzi. And they are a typical young couple ….who get cursed while on their honeymoon and Holly ends up pregnant with the child of Satan.

Emily Rogers plays Holly’s sister in law, Marissa. She’s queer and adorkable and video tapes everything like Wes Bentley did in American Beauty. Bafflingly; There are no pictures of her on the internet.

Usually the “devil baby” plotline is a deal breaker. It’s over done. While that’s still true, the characters are far less annoying than their counterparts in other films. The focus shifts from Holly to Marissa early in the film, Trevor isn’t blind to the horrors that his wife is experiencing because of the chance to grow his progeny. Marissa is the first to notice that Holly is behaving oddly -from seducing Marissa and yelling at her in Latin, to making sexual advances towards Trevor’s father.

For reasons unknown, Marissa captures most of this on film. The sheer volume of memory cards required is irrational.

But Marissa’s odd fixation with Holly and her retelling of increasingly strange events to her pre-law BFFL on Skype is charming.

And no one says anything ridiculous like “We have to save the baby !!!!!!!!!!1” when Holly really starts becoming dangerous. Trevor and Marissa head back to the site of the honeymoon, Cassa Dega, to rectify the situation.

The plot doesn’t make as much sense as it could. The reason Holly is carrying the devil spawn is because she was cursed by an old woman, the curse had come to a family after years of infertility. It is revealed that Holly was adopted but the implications weren’t clear to me.

Everyone in the film is relatively unknown and I think that it’s helpful in this case. Found footage movies are just plain everywhere lately and I’m not sure that much was added by having Marissa be a nerd with a camera except aside from an excuse to use edgy camera angles and bad lighting.

3/5

Movie Review: Night of The Creeps (1986)

There’s something so pleasing to me about 80’s cheese horror. I don’t know if it reminds me of shite my babysitters used to let me watch or if it’s just the overall aesthetic, frequent partial nudity, the inevitable jock vs. nerd duality,or the awesome female characters who always seem to pop up.

In this CLASSIC film, directed by Fred Dekker (Monster Squad, Robocop 3) we flashback to 1959 on Sorority Row. Masterfully pulled off in black and white. It’s only slightly tongue in cheek when a blonde bombshell out for a ride with her date, Johnny. Johnny hears a noise and goes to investigate. Which is where the alien brainslug turns him into a murderous zombie.

In 1986, two dweebs pledging a fraternity so that a former Griswold can have a chance with his dream girl find the cryogenically frozen corpse of Johnny. The are supposed to dump to corpse on the steps of another fraternity. Instead, they freak out- but still unthaw the corpse and the brainslug is passed on to a new host and soon the whole campus is in peril ..and so is Chris’s dream girl. The original zombie peeps on Cynthia and Det. Cameron is called in. Cameron (Tom Atkins, who is is still making films and starred in 1951’s Thing From Another World) had helped take down a zombie axemurderer in 1959.

Tongue in cheek nods abound to horror greats throughout the film, including the character’s names. Sgt Raimi (Sam Raimi), Chris Romero (George, obviously), JC Hooper (named for both James Cameron and Tobe Hooper).

Cynthia joins team nerd after uberjock fratbro trips the physically disabled JC. JC is my favorite character, he’s picked on for his physical abilities but he’s more self assured than Chris, he’s a great wing man, he stares down the cool kids, he doesn’t take shit from anyone and he lights a brain slug on fire without hesitation. Shortly after Cynthia recounts seeing a zombie’s head explode and slugs crawl out to Chris, JC gets turned. But instead of turning murderous: he fries himself and his brainslugs, before he does he leaves a tape for Chris explaining brainslugs, telling him that he loves him and good luck with Cynthia.

Meanwhile, the cops are zombie hunting. Det. Cameron confronts the original with a venomous, “I already killed you. You son of a bitch I already killed you.”

Chris meets up with the Detective and gives him the news. Then they head out to the homecoming party with flame throwers, Chris hands Cynthia a 12 gauge saying “Hold this, you’ll feel better.” Then they switch and Chris shoots and Cynthia lights ’em up. Going from near catatonic to certified badass with relative ease.

The ensuing scenes are GOLD. Flame throwers made out of cigarettes and hairspray, running a zombie over with lawn mower, “It’s Miller Time”, infected science experiments. Nothing groundbreaking here, but damn if this isn’t enjoyable as all hell.

Movie Review: Grave Halloween (2013)

This film market itself as “J-Horror” despite the fact that it is a SyFy Original and has a predominantly white cast (even though it is set in Japan, which is another topic entirely). The main character, Maiko (Kaitlyn Leeb, who has set herself to be a big time B-Horror babe with roles in Wrong Turn 4, the three-breasted woman in Total Recall, upcoming film Wolves and a recurring role on “Bitten”) sets a college thesis project with classmates at her college in Japan (full of white people) to find where her mother committed suicide and perform an exorcism. This will be filmed. And she intends to perform an exorcism. Their journey lead them into the famous “Suicide Forest”

We start out with vague dreams and memories from Maiko’s youth, she is on a swing and her mother turns into… pretty much the girl from The Ring. Or The Grudge. Basically, we have been down this road before.

Maiko and co., a crush, a blonde BFF and a trusty camera man come a long. They are followed by 3 bully/prankster types who disrespect “Suicide Forest” and meet the most grisly of demises… but so do others… even if their intentions were good. And that’s what ruins it, after one prankster steals a watch on the trail: we all know that they are going to get axed. But Maiko’s posse …well, it could be said that they are voyeurs, that they are interlopers, that they are exploiting the suffering of others in the name of academia; all of those things are amoral and accurate BUT that was not set in the guidelines by their cliche and stereotypical guide, Jin (Hiro Kanagawa, Godzilla, “Almost Human”).

The gore is moderate, the tension is weak, the main characters are over all well developed and relatable. But still the more pressing of matters is that the “suicide forest” is a real thing.

Aokigahara at the base of Mt. Fuji was the setting for a novel, published in 1960 that featured a pair of lovers committing suicide, it started before then but instances of suicides and deaths have increased alarmingly since. It is said that people go there to contemplate life and death and that those who have passed permeate the trees.

Aokigahara is also the setting of Matthew McConaughey’s next film.

Ehhh, thanks for the lesson: but this only gets a 2 out of 5.

Movie Review- Devoured (2014)

This film follows Lourdes, a woman who moves to New York to make money to provide for her son to have a life -saving operation. She winds up working the night shift cleaning a bar/restaurant and setting up for the next day. Throughout the film Lourdes is aggressively harassed by her male boss, snubbed by her female boss, propositioned for sex by skeevy customers. She toils endlessly and is victimized for her hard work. She had next to no social life, she dresses poorly. It accurately portrays what a bind Lourdes is in, she is unable to quit her job because it’s her last chance to save her son. Aside from the horrors of wage-slavery and the class struggle, Lourdes begins seeing dead people. Dead men pop up from behind fish tanks, dead women emerge from trash bags in the alley, Lourdes pulls out a tooth and spits a geyser of blood, something tries to pull her through a locker or trap her in the bar. But still she returns every day.

The pacing of this movie is excruciatingly slow. As Lourdes walks the restaurant there are bizarre scenes of elaborate meal preparation in a way that is reminiscent of the opening theme of “Dexter”. We watch as tables are set. Again. The audience is forced to see these repetitive scenes, fitting since this is all Lourdes’s life consists of except for her phone calls home to her mother and son. 

The majority of the film is more depressing drama than horror. But after the mood is set, there are some true shocks and creeps. It’s wonderfully directed by Greg Olliver (whose other works are rockstar documentaries) who sets the mood well, orchestrates jump out of your seat moments and leaves the audience guessing til the end. It’s a slow burn, but there is no denying it is well done. (However, this is not an ending that’s never been done in horror either.) Olliver gets us into Lourdes’s mind state and will leave you wondering if her bosses are evil, if the place is haunted or if she is just losing her freaking mind!

Marta Milans from ABC’s “Killer Women” stars as Lourdes, she is fantastic. She completely pulled off every aspect of this role and made this film relatable. Even through the depressing slog that was the first half of the movie, Marta Milans brings life to Lourdes and never allows the audience to forget why she is there and what is at stake for her.

That being said, this title doesn’t fit at all. I hear “Devoured” and I think “vampires, ghouls, shit that will eat you” and there’s really none of that. I feel like that’s why there were all those shots of the food, because people eat food and the movie was named “Devoured” for absolutely no reason and they tried to make it work. Or it was to throw the audience off of the cause of the horror. I don’t know. But it doesn’t make sense.

3.25 out of 5 

The Strain- Episode 3

We open with opera and Eichorst’s freaky face. He applies silicone, makeup, hair, dentures and contact lenses to blend in as a human. He tells his reflection that he is almost done hiding. 

Eph and Nora are trying to find out what happened to the bodies. No jumping to conclusions. Did another agency take the bodies to hide the autopsy results? Was the military involved with the deaths? 

One of the survivors, Ansel, is fighting symptoms, his gums painful and bleeding, his throat sore. He has pain in his neck and ringing in his ears. His spouse is upset, she is worried for his health.

Captain Redform is in an incubator, Eph makes promises he can’t keep about how they will find out what is infecting him. And it’s Nora who recalls “the old man they had arrested at the airport.” Abraham warned them. Not sounding so crazy now.

Jim from the CDC, who was involved with allowing Augustin to leave with the coffin, meets with Eichorst who tries to pay him. Jim demands to know what was in the box. Eichorst, obviously, won’t reveal and Jim says he is going to the police. Eichorst brings up Jim’s dying wife. Ohhh, the dying wife motivation ZzzzzzzzzZzzz…. Anyway, Eichorst says that he can get Jim’s wife into a limited drug trial that could mean her salvation on top of the money. Now Jim is entirely under his thumb.

Abraham is at his hearing for the nuisance charge of tresspassing. The judge is perturbed by Abraham’s sword cane. He plays for feeble. Nora confronts him outside, Abraham says that the survivors must be destroyed. Nora is freaked out.

Ephraim’s family drama hits the fan. Zach says he wants to live with his mom, every other week with his dad. “Because his dad has a really important job.” Eph lashes out verbally (out of earshot from his son) but the ex blames it all on him, but sh says it’s not too late. That Zach and Eph can be closer, but that he has to show it, not just say it. Then it’s back to work.

Gabriel is not into rehearsal or video shoots. Apathy.

The board of health dude is visiting the home of a child who was bitten by a rat at the mouth. He catches the patriarch smoking Cuban cigars. He says that rats like cigars too. “this place has changed hands 5 times in seven years and now you know why.” Outside he hears hoards of rats.

Jim’s wife gives him the news that she’s gotten into the drug trial after all. Ansel’s dog grows suspicious of him. Then he drinks beef blood. His wife catches him. RUN FOR THE HILLS.

Gabriel’s balls are falling off. His personal doc encourages him to go to the hospital but he’s scared he’ll end up on TMZ.

Abraham employs an industrious young techie chick to find the passenger list from the plane in exchange for a video game console.

Eph and Nora are with Redform who ominously says “He’s here.”

Zach is at home watching his dad save the world on his iPad. Then he goes down stairs to see his mom. His mom is tearfully flipping through a photo album. 

Eichorst kills someone. There’s too many people on this show.

Gabriel’s hair is falling out. One of his eyes is bloodshot. Then his dick falls off.

Jim delivers news to Nora and Eph that his wife is accepted into the drug trial. They are overjoyed, but Jim cannot take the same joy; knowing how this came to be. Redform has escaped. They go on the search. Jim finds him in the basement eating raw meat. Jim alerts the others that he’s found the Captain, they rush in while the pilot attacks them, that tentacle thing coming out of his mouth. Eph bashes the vampire’s head in. But, now those at the CDC can’t deny that something truly bizarre is happening here.

Let us take a brief moment to acknowledge the stereotypes involved that allowed Eichorst to employ people to spread the epidemic. Augustin, a gang member, was bribed/blackmailed over his brother’s criminal record and his mother’s immigration status. However, a large demographic of Hispanics in NY are Puerto Rican. PR, of course, being part of the US. Why so many people forget this is baffling to me. Now, Augustin could be Central American of Cuban, I don’t know, I didn’t see that it was noted, if it was when Eichorst showed the documents then feel free to correct. But portrayals that lead to the equation: poor + Hispanic = illegal is problematic as all fuck. Because chances are they’d be Nuyorican. (And yes, I am pointing this out even though del Toro is Mexican, it’s still a stereotype regardless)

And then of course we have Jim’s dying wife. A wife invented so that feeble Jim would have motivation for betraying his title and dooming the US to vampirism. A wife that will do nothing else to advance the plot in anyway, if I had to venture a guess.

But on the good? Kelly Goodweather (Natalie Brown, 2004’s Day of the Dead) gets a bit more sympathetic. And Nora and Eph don’t have untimely makeout sessions. Wooo! 

But there are too many people on this show. And not enough Abraham.