Movie Review- Wonder Woman

Most obviously, Wonder Woman was the reason Batman Vs Superman was even watchable. As soon as her theme hit the audience knew she was there to save Batman, Superman and all of us from banality. Gal Gadot filling Wonder Woman’s boots and bringing the Princess of Themyscira to life in her own major motion picture filled many fans with excitement. But still many were cautious… or even critical of her armpits.

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The movie begins first in the present day with a gift from Bruce. But we are quickly treated to Diana’s origin story. A young Diana, running through the roads of Themyscira. The only child on the island, she’s impatient to start her training to be an Amazon warrior. Destined to protect the world from Aries’s corruption. She grows up on a diverse island of bad bitches, everything is going so well. Until Nazis show up. (Okay, not really, just Germans.)

To be fair. First it’s Chris Pine. Who is a British Spy with no sign of an accent. He’s taken with her and the other Amazons (and their bioluminescent springs), but he is on a mission. Diana quickly decides to join him as she is discovering her true strength. Compared to even the other Amazons she is strong, she is trained 10 times harder (they say trained, not that she is naturally more powerful) but she doesn’t know what waits across the ocean.

People have been right to draw parallels between the behavior of Diana and Thor. Smart, although somewhat bewildered because of being raised without the industrial revolution. Honorable. Hyper capable. Muscular. Armor clad.

People also have some interesting ideas about how her upbringing affects to her ability to consent. The blogger, Christina Cauterucci states that there’s a love story “shoehorned in” is positioned as a “no homo” to Diana’s “inherently queer backstory”. I would argue that it’s not. The love story develops quickly and expectedly, yes. But why the upbringing is “inherently queer” when the other main characters on Themyscira are Diana’s mother and aunt and Diana is a generation younger than everyone else… I’m not sure. Cauterucci quotes Diana as saying that she learned about sex from books and knew men were necessary for reproduction but not pleasure. So maybe Diana did get some. It’s not implied any further than that whether she has or hasn’t had sexual contact. How this leads Cauterucci to the assertion that Diana’s ability to consent is blurry, I am unclear. Diana has never met a man, but that does not mean she has a child’s mind, and she barely had a sip of beer before they went to dance.

Steve Trevor doesn’t doubt her, he does talk down to her a bit because she doesn’t understand social conventions which could be annoying, if it wasn’t under the context of Steve urgently trying to stop WW1. Although they did have time for a clothes shopping montage in the midst of it which I did find obnoxious.

There are a couple other women central to the plot, one is Steve’s secretary, Etta. Etta didn’t ask for more responsibility but she handled it competently enough and she even got a brief moment of heroics. And then there is Dr. Poison. I was actually surprised there wasn’t more conflict between the two women, because usually there can be only ONE powerful woman. And they seek to destroy each other above all else. But that’s not the case here. Although Dr. Poison does get jealous over a distracting Diana in a blue dress after Steve accidentally wavers his attention. Dr. Poison is never fully fleshed out but her motives are her own and she takes great pride in her work… there’s something to be said for that… right?

Diana appreciates everyone for their efforts, whether its flying, sailing, fighting or singing, but she stays focused on her own quest. She is truly a Wonder Woman.

5 Stars

Alright, so leave me a comment if you want to debate consent, pit hair, how men control the whole world but don’t even know to take the eggs from the back when they go to the grocery store, if you think Wonder Woman could lift Mjolnir, if Steve Trevor is average or if you think I should have boycotted because Gal Gadot is a Zionist.

(Nerd) Newsday Tuesday

Freddie Prinze Jr says Kiefer Sutherland is unprofessional… and nearly everyone replies “Who is Freddie Prinze Jr?” Kiefer’s people address the situation the most obvious way: by pointing out that he has a lucrative career, and that Fox wouldn’t have brought “24” back after 5 years if he were.

While those stars are squabbling, “Walking Dead” actor Steven Yeun addresses racism in Hollywood. He discusses that he has trouble getting roles because there simply aren’t roles for Asian men -and worse, many roles meant for Asian men a whitewashed. You can read more on that here.

Geeks Of Doom gave fans the low down on blu-ray special features for “Agents of SHIELD” they link up a pretty rad blooper real, too.

Quentin Tarantino, now making his foray into comics with Dynamite’s Django Unchained/Zorro crossover series announces that he’ll be directing 2 flicks due out in 2015, one called “The Hateful Eight” and the other? A superlength version of Kill Bill with a 30 minute anime scene.

Also straight out of Comic-Con: Jensen Ackles talks about “Demon Dean” in the season 10 storyline. & Sam Raimi announces an Evil Dead TV series made for Groovy Bruce himself!

In the world of non-entertainment news from San Diego ComicCon: A man plowed into a “Zombie Walk” He started edging out trying to get through the crowd. People/zombies upset about his dangerous driving started banging on the car and sitting on the hood. The man freaked out and drove into the paraders and also injured an 84 year old woman who was not part of the walk.

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For the record, I like Wonder Woman’s get up, it’s serious + powerful. Imitation is the most sincere form of flattery and it’s just one Amazon emulating another after all. I’ll count it as a nod to Xena and hope that Gal Gadot can hurl and insult or deliver a battle cry half as fiercely as Lucy Lawless.

Male Objectification Monday- Michael Jai White

 

 

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Welcome back a feature that has been missing for far too long with this handsome dude! What lead to this choice? Do you even have to ask? 

If you must know I recently got to meet the impressive, handsome and funny Michael Jai White at TerrorCon. Michael Jai White has recently frequently appeared on CW’s “Arrow” as well as notable in genre roles in The Dark Knight, Mortal Kombat and Spawn.

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Look at that smile!

Fun fact: His first roles were in Toxic Avenger sequels (late 1980s).

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And he starred in, wrote and produced the film Black Dynamite (2009).

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White is an accomplished martial artist and his upcoming role in Falcon Rising later this year has him battling the yakuza in Brazil.

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Looks so good I can overlook that he’s a DC guy and not a Marvel guy. …And an obligatory suit picture, because he cleans up well, he’s not just another set of stellar abs.

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He’ll be back on “Arrow” again next season and gracing screens of all sizes with cinematic releases as well.

Check out Radio of Horror’s YouTube page for excerpts from Michael Jai White’s TerrorCon panel!

Comic book Catch-up #5 -DC Edition!

Forever Evil #7 (thank gods that is over!) & Future’s End #3 + #4!

Forever Evil #7

Batman is still strangling Luthor and Catwoman is trying to stop him. She says “this lightning rod is from the future, maybe we can use it to, I don’t know, save him or something!” 

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DO CPR!!!! What the Hell?! 

Wait. It get’s worse. Luthor zaps Batman with electricity (Catwoman still does nothing) and then he reveals that he flatlined Dick after, get this, giving him a pill that would paralyze the muscles around his heart… he needs a shot of adrenaline NOW. He gets the shot and wakes up. A sweet moment is had between Nightwing and Batman (and Luthor and Bizarro) and then Cyborg busts in, he took out Grid. blah blah. Ultraman and Deathstorm debate about what to do now that Mazahs is free. The theorize that they can use Superwoman’s lasso of submission. But she’s not here.

“Is she with Owlman?” Ultraman questions.

Nope. She’s with Mazash. And pregnant with HIS child. And Ultraman gasps, “Lois? You traitorous witch, why?” and she says, “Because Alex is stronger than you, Clark.” Cause all women are either hoes or incompetent in this piece. 

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A million middle fingers for Geoff Johns. 

Ultraman and Mazahs duke it out and Deathstorm confronts Superwoman, “You manipulated us all.” and she calls them “Stupid men.” (Hay awesome, her secret weapon is manipulating men, hahaha… ugh) but she gets him wrapped up in her lasso and Mazahs prepares to feed on his nuclear power. 

Mazahs kills Bizarro. Luthor kills Mazahs. Owlman joins the Batfamily. Sinestro and Black Adam move the moon so that the sun weakens Ultraman (what? how was the moon there that whole time? This is stupid) And all of the exiled heroes from this world climb out of Firestorm (again.. what?) but Superman is dying. Luthor pulls the sliver of kryptonite out of his head. Well, that’s unlikely. He also meets Ted Kord and doesn’t buy Kord industries and encourages Ted. He knows Bruce Wayne is Batman and it ends with an apocalypse baby, Darkseid returning and the Antimonitor vowing to consume him. So it ended. With the heroes coming back which was a huge “duh” because there is no way that all DC’s heavy hitters would get roasted. And then a not real ending. Suck.

Futures End #3

This one is actually getting good, we get backstory on Grifter and Firestorm (who are fighting against each other) the stories flow cohesively between Firestorm giving some ladies a sunny day, to the same babes at a bar where they get harassed by someone who just won a celebrity death pool with the death of Green Arrow. They get bounced by… Red Robin. Lois’s mysterious package lead her there and she immediately knows who she’s looking at. Meanwhile, Mr Terrific knows that Batman (but not which Batman) is looking into him. Light on Batman, good amount of backstory on DC’s B-List. Still not a lot of women, but at least the ones there aren’t bimbos. Thumbs up.

Futures End #4

Frankenstein confronts SHADE about why they are trying to kill him. They just wanted his attention, turns out. Who the fuck is SHADE? run by Father Time (now inhabiting a young girl) SHADE fights against monsters.. with even worse monsters. Bad asses. Fathertime calls attention to the destroyed Stormwatch space ship. The theorize again that THE storm is coming. Red Robin/Cal Corcoran is out for a jog with the babely Madison Payne. He won’t talk about his past, she’s suspicious they’ve done this dance before. Cal lays eyes on the new Batman and it’s clear that he has a grudge against Batman’s Batfamily. Lois is trailing them in a get up that no one has worn since 1990 and no one would wear in the future. Plastique and Key lure Coil out of retirement with a “grail mission” the “last job.” That Grail? It’s in Terrifitech. Grifter is hunting Daemonites and other aliens that prey on addicts when Faraday catches up with him. Faraday paralyzes Grifter, and says he’ll reverse it if Grifter comes and works for him. 

Future’s End #2

The ensemble in this is so large, with the focus on B-Listers that I’m having trouble getting into it. 

Most of this issue centered around Animal Man, Mr Terrific, Firestorm and Red Arrow and was set at Green Arrow’s funeral. There’s scenes of FBI files being destroyed by someone working under the Joker’s direction. And a brief check in with Batman (Terry) who is trying to keep Brother Eye in the dark.

So much time is spent either on a “posthumous” homage to Green Arrow (which, why at this point in the issue when he is dead? This series is not new reader friendly and precious panels should have been spent recapping characters that will be integral going forward). Or showing Mr Terrific’s cockiness and love for the fame.

Significant JLA infighting is shown, but other than that? Not much…

A good set up for next issue though as Lois Lane receives a mysterious package with Green Arrow artifacts, a series of numbers and the message “Lois, go alone Trust no one else” Maybe a relatable character will bring this around for me.

It’s not that I mind having lesser known supes take front and center, but no one’s putting in work to be sure these characters are relatable and ensure that the audience can become invested in them.

Art by Jesus Merino and Dan Green is competent, but honestly… every brown haired white guy looks like Batman. 

There seems to be so many “little things” happening at once that it’s hard to stay attached. 

Future’s End #1

I was lukewarm about the FCBD issue #0, but the concept intrigued me enough to pick up this issue. 

The JLA has been turned into evil robot bugs. Bruce Wayne and Terry go back in time to kill Mr Terrific before he can unleash Brother Eye technology. *gasp* Batmans don’t kill people! Future Bruce Wayne bites the dust (for now) and just before tells Terry that he can’t tell anyone what he’s doing: ESPECIALLY BRUCE WAYNE! Terry doesn’t even go far enough back and the events are already in motion.

So in this issue: Terry’s coming to grips with the fact that he has arrived 7 years too late. The machine was calibrated for them to be travelling with Bruce, robot A.L.F.R.E.D. explains (sure, that makes sense) and then Terry takes on the cyborg that caught a ride with him.

The mobile HQ of Stormwatch is suddenly malfunctioning and the engineer if hijacked by the corrupt technology. With an ominous, “I am the storm you were created for. I am here.” After an intense struggle: the ship is destroyed. Grifter assassinates a family to get to a small girl, who turns out to be an alien. The Green Arrow has been attacked and he reached out to Firestorm. New 52! Firestorm recap: Jason Rusch gave Ronnie Raymond the God particle and they both were transformed into Firestorm with Jason as the brains and Ronnie as the brawn. Ronnie’s a selfish jock type, as shown here: he ignores Jason and Green arrow for womanly affection and when they find Green Arrow dead at the site of an explosion, Jason blames him.

Interesting set up.

This comic book is weekly, I’m going to try a few more before I form a conclusive opinion. 

Terry’s funny. This could be a good series, but I am concerned that they’re pulling out all sorts of B and C list characters for this. I don’t read enough DC to keep up with who’s who and why it’s significant. 

Patrick Zircher is the lone artists on this 4 writer issue (Brian Azzarello, Jeff Lemire, Dan Jurgens and Keith Giffen). The art is very detailed, the facial features, the intricate technology: it’s wonderful. 

The Movement #12

The final issue. I’m heart broken. This was a consistently good series with unique characters and nods to the rest of DC Comics, Gail Simone’s other titles and Coral City’s sister city Gotham. 

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Freddie Williams II has always provided art that well suits the feel of this title, but it’s above and beyond when we’re treated to a 2 page spread of Virtue’s ultimate dream for “The Movement”: Virtue and crew are fighting side by side with Justice League bigwigs. Mouse vs. Cheetah, Katharsis sword fighting against Deadpool, Virtue throwing down against Sinestro. It’s gorgeous and really showcases all that Channel M’s hacktivists could have accomplished. I’m so bummed. Virtue thought they could be big like the JLA, but with a twist, they could show people that empathy was as important as strength, that anyone could be a hero, “But then I remembered that I live here. In the ‘tweens. And they were never going to ask us to join a club that lives on mount Olympus.” 

24 hours ago (after a “we’ve come so far” montage where Burden cracks a joke and Mouse finds a new woman to like) Mr. Cannon infiltrates the sweatshop. He tells them that his son is the Cornea Killer. And that he needs to be stopped. The Movement confronts them and offers him an easy way. Come quietly and he’ll go to the police… if not, “the ‘tweens gets some of its blood back.” The Cornea Killer does not comply. In a twist, Cannon has Whitt on back up to take out The Movement. 

The Cornea Killer sacrifices himself in front of Whitt’s bullet to save his father. But it’s too soon, Vengeance Moth takes out Whitt before anyone dies. We get Holly’s whole backstory as told to Captain Meers and it all ends on a note of hope instead of death or disbanding. 

Gail Simone did a wonderful job wrapping everything up, I hope to see Virtue make a comeback somewhere in Gotham. I enjoyed the DIY nature of the heroes in this book, they’re a resourceful bunch, I’m sure they’ll pop back up somewhere. I hope. I’m really sad to see this one go. It’s one of the only DC series that I read and the only I actually consistently enjoy. I think this could have gotten a better start is it wasn’t billed with the Green Team. That one didn’t appeal to me and I think there was a huge misconception that you had to read BOTH; so people missed out.