This film follows Lourdes, a woman who moves to New York to make money to provide for her son to have a life -saving operation. She winds up working the night shift cleaning a bar/restaurant and setting up for the next day. Throughout the film Lourdes is aggressively harassed by her male boss, snubbed by her female boss, propositioned for sex by skeevy customers. She toils endlessly and is victimized for her hard work. She had next to no social life, she dresses poorly. It accurately portrays what a bind Lourdes is in, she is unable to quit her job because it’s her last chance to save her son. Aside from the horrors of wage-slavery and the class struggle, Lourdes begins seeing dead people. Dead men pop up from behind fish tanks, dead women emerge from trash bags in the alley, Lourdes pulls out a tooth and spits a geyser of blood, something tries to pull her through a locker or trap her in the bar. But still she returns every day.
The pacing of this movie is excruciatingly slow. As Lourdes walks the restaurant there are bizarre scenes of elaborate meal preparation in a way that is reminiscent of the opening theme of “Dexter”. We watch as tables are set. Again. The audience is forced to see these repetitive scenes, fitting since this is all Lourdes’s life consists of except for her phone calls home to her mother and son.
The majority of the film is more depressing drama than horror. But after the mood is set, there are some true shocks and creeps. It’s wonderfully directed by Greg Olliver (whose other works are rockstar documentaries) who sets the mood well, orchestrates jump out of your seat moments and leaves the audience guessing til the end. It’s a slow burn, but there is no denying it is well done. (However, this is not an ending that’s never been done in horror either.) Olliver gets us into Lourdes’s mind state and will leave you wondering if her bosses are evil, if the place is haunted or if she is just losing her freaking mind!
Marta Milans from ABC’s “Killer Women” stars as Lourdes, she is fantastic. She completely pulled off every aspect of this role and made this film relatable. Even through the depressing slog that was the first half of the movie, Marta Milans brings life to Lourdes and never allows the audience to forget why she is there and what is at stake for her.
That being said, this title doesn’t fit at all. I hear “Devoured” and I think “vampires, ghouls, shit that will eat you” and there’s really none of that. I feel like that’s why there were all those shots of the food, because people eat food and the movie was named “Devoured” for absolutely no reason and they tried to make it work. Or it was to throw the audience off of the cause of the horror. I don’t know. But it doesn’t make sense.
3.25 out of 5