X-Men #11

I was so pumped for this issue. #10 left us with a masterfully executed cliffhanger: Mach 1 Sentinels rising from the ocean with Jubilee, Bling!, Quentin, Mercury, etc., waiting to take them on. Ana Cortes is finding herself in over her head with the Arkea situation. Arkea is ready to unleash some Omega Level dames.

Issue #11/Ghosts part 2 picks up with Ana and Amora having an a debate between and within themselves about what they are about to do.  They do it, of course. They’re bad girls and they’re outclassed, there’s no turning back. Held in Stasis, her soul distributed into the very air of a contain cell -reassembled by Amora: Lady Selene/The Black Queen/the oldest mutant.

And after that it starts to get hairy. Wait, is it hairy? Or is it just Anka’s weird art style?

No seriously. Is that a hairy armpit or is it just sketch lines?

No seriously. Is that a hairy armpit or is it just sketch lines?

I mean, if Selene Gallio (not Gallo, not Galio -as it has been spelled in the past 2 issues) who debatably came to life before the middle ages and before disposable razors doesn’t change her beauty routine to fit patriarchal fashion standards that’s fine by me.

But that’s not the only time that they art was a distraction.

When we leave the bad girls to see the good girls they are on the Cortes Yacht. Some were there last issue. Some were new arrivals. So I saw this:

Look at the top left + bottom right.

Look at the top left + bottom right.

Since we can barely see any of their attire and have no distinguishing facial features for some reason I could only gather that Monet was talking to herself somehow. Next page I figured out it was Karima. No one addressed her by name and in the last issue she was on the plane.

Anyway, on the yacht the girls put together that Yuriko was dead, Arkea was dead maybe they’re recruiting more dead mutants. Monet figures this out employed logic that is a complete stretch yet somehow EXACTLY what’s happening. They contact Sabra who confirms that there have been buyers for the genetic material of both Maddie Pryor and Selene (and apparently no one else, for some reason) (and also WHY would this be for sale? How is it not in their vault?).

At the Jean Grey School: Quentin Quire is babysitting John Sublime. QQ is everyone’s high school’s too-cool, punk rock nerd and he’s fanpoodling at John Sublime for being such a big bad. Sublime sees Shogo go by with Storm’s daughter from the future who never went back after BotA and somehow everyone was okay with that. Sublime says ominously, “Check your books Quire for a nasty example of a serial killer called ‘The Future’ something just reminded me of him.”

In Japan, Typhoid Mary and Lady Deathstrike are playing with swords. Ana’s in control and the cracks in her sanity get deeper. She asks Mary to kill her, she’s in over her head. She wanted power. She wanted to be popular. Maybe she wanted to meet Cyclops (I don’t know). But Arkea, her plan, it’s too much. Mary refuses. Ana goes at Mary, says she’ll force her if she has to.

Arkea enters, says “spare us your dramatics” and tells her that Maddie’s consciousness is primed. The plan is to add the consciousness of Jean Grey’s genetic clone into the same host as Yuriko? Ana’s already got too many voices in her head. So she ups the dramatics and impales herself on her samurai sword. To be continued..

SOMEHOW there’s a MEANWHILE

(it’s really a BEFORE)

Clay Mann did the art here and it was the best looking. We’re back to Catalina Island. Pixie and Bling! are taking out a Sentinel. Bling! gets dragged into the ocean, Mercury summons Pixie back to the plane and goes to save Roxy. Hellion and Jubilee are working on another. Quentin Quire is in the plane (see how it’s a “before”, not a “meanwhile”?) Karima is also in the plane and now in the last pages we find out that Pixie transported her to the yacht (but we didn’t see Pixie on the yacht). Jubilee turned into mist to escape the fist of a Sentinel and didn’t rematerialize… dun dun dun

Clay Mann’s art is fantastic, by the way. Shout out to Seth Mann and Paul Mounts, too. The layers are perfect. The water looks like actual water. Lights and lasers stand out above really REALLY ON POINT fight scenes.

Look at Pixie's laser, look at Bling!'s sparkle, look at all that STUFF in the background.

Look at Pixie’s laser, look at Bling!’s sparkle, look at all that STUFF in the background. All their pages are like that.

WHAT was happening with the timing in this issue? So QQ goes back to the Jean Grey School and doesn’t say anything about Jubes? Maybe… Maybe he wouldn’t say anything, but no one there seemed concerned. Wood really wanted to dual cliffhangers to work. And they would have. If Karima wasn’t on the yacht and Quire wasn’t the one with Sublime. Maybe it still “works” …technically. So much cool stuff happened this issue I just wish it wasn’t foolishly bogged down with spelling errors (yeah, I nitpick, and what?), trying to decipher who is talking and why/how they got there, and whether something is ‘meanwhile’ or “before”. I shouldn’t have to do that.

But, eff yeah; Black Queen! So, that forgives a lot.

4 thoughts on “X-Men #11

  1. Yeah, I noticed a number of flaws on my second reading that I didn’t see on my first. It’s still an enjoyable comic though, and it says a lot when a flawed issue is still a fun read.

  2. Pingback: timewantsaskeleton | X-Men #12

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